Doe Castle, County Donegal

Photo © Ozgun Ozdemir

Sweeney in Flight

Ancestral Tales from the Bard in the Tree

For two years I searched university libraries for Merlin's Irish double through the footnotes of a book — a mad king in the trees of Ulster I could never quite put my hands on — and then gave up.

Two years later, while I was searching my own surname for family history, a packet arrived from Ireland with a story inside it: Buile Suibhne. The Madness of Sweeney. The untraceable madman I had chased through Tolstoy had been in my own name the whole time. The two threads of my life had converged, leaving me wondering if I had been searching for myself the entire time.

This site is the answer to that question — a prose retelling of the old tale, an atlas of the ancestry beneath it, and an attempt to take up the office the name has always carried. Why this author → · The full account →

Flight Path

This site is one argument, walked in six stations. An old Irish tale — a cursed king driven into the trees, given poetry in exchange for everything else — is read as a progression: the pattern the tale sets down, the inheritance that carried it in a name, the living claim of that name today, the seeing that begins every quest, the road that answers the seeing, and the practice waiting at the end of it. The stations run in order, and each door also opens on its own.

What to expect

Each station keeps the same three layers. The page itself is a map — the tradition and the scholarship behind it, sources listed, contested claims marked as positions rather than smoothed into fact. Beneath each map stands a keystone essay that makes the station's argument at full length. And beside the keystones runs Identity: six first-person essays, the life that walks the same arc without announcing every parallel. The central work is a prose retelling of Buile Suibhne, still under the copyist's hand — unfinished leaves are set down in the open and marked with a scribal note, and finished work is called in through the last door, Take Flight.

A Life's Path

Six creative nonfiction essays under the heading Identity — the life that rhymes with the keystone readings of Buile Suibhne, without announcing every parallel. Drafts in progress.

I · 1980

Becoming Anchorman In progress

Eighth grade, 1980 — auditioning only for Anchorman in The Idiot Box, and recognizing the guardian archetype that would keep returning: the long white beard, the book against the machine, the keeper of the word.

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II · 1995–1997

The Quest for Merlin In progress

University, 1995 — Tolstoy's Quest for Merlin, the hunt for O'Keeffe, and the 1997 surname search that delivered Buile Suibhne inside a packet from Ireland. How Merlin's Irish double was waiting under my own name.

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III · After

The Curse of Sweeney In progress

After the name attached — PTSD and the frenzy, exile and isolation, addiction and liminal sight, and the desert fathers' mercy that paralleled Moling's reception of Suibhne. Why retelling his story is, metaphorically, retelling my own.

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IV · Recognition

Love of the Beautiful In progress

Philokalia means love of the beautiful. Finding the book, reading it against the uncreated light, and recognising in three faces the same light shown according to what each could bear.

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V · Covenant

The Wayfarer's Chapel In progress

How and when we met, our wedding at the Wayfarer's Chapel, and the journey toward a home — mercy begun as a life built after the wilderness instruction to forgive.

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VI · Ascent

Seraphim's Wings In progress

Finding a man who had taken his life in the woods; conversion to Orthodoxy; taking St Seraphim as patron; the flight of the soul and a red-tailed hawk — the other diptych meaning of Sweeney in Flight.

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