The Arthurian Wing · Reading Path

The Matter of Britain · A reading path in Arthurian mythology

Movement V — The English Matter · Unit 29 of 36 ✦ Pilgrim's Way

Malory III: The Day of Destiny

How does the English tradition's greatest prose bring the whole matter down — and what exactly does the epitaph promise?

"Yet som men say in many partys of Inglonde that kynge Arthure ys nat dede... and men say that he shall com agayne."

— Malory, Le Morte Darthur, XXI.7

The Argument

The final movement of Le Morte Darthur — "The Book of Sir Launcelot and Queen Guinevere" and "The Most Piteous Tale of the Morte Arthur" — is the summit of fifteenth-century English prose, and among the summits of English prose at all. Malory braids his French and English sources (Mort Artu, Stanzaic Morte) into a sequence of his own temper: the May passage, where the narrator steps forward to defend "vertuouse love" in the old way against the fickleness of the new; the poisoned apple and the maid of Astolat; the taking of the queen and the killing — unarmed, unrecognized in the press — of Gareth, whom Lancelot loved and had knighted; Gawain's grief hardening into the war neither Arthur nor Lancelot wants; Gawain's deathbed letter of forgiveness, written "with myne owne honde... wyth my harte-blood"; Mordred; the dream of the wheel and drowned Gawain's warning; and the adder that flashes at the parley — the accident that fires the battle after every cause has done its work. By nightfall on Salisbury Plain a hundred thousand lie dead, and the king who asks "where ar all my noble knyghtes becom?" has his answer around him.

Then the ending the language has kept ever since: Bedivere twice hiding Excalibur and twice lying ("I saw nothyng but wawis and wyndys"); the arm "clothed in whyght samyte" that catches and brandishes and vanishes; the barge of queens; "comfort thyselff... for in me ys no truste for to truste in"; the hermitage, the nun-queen's last refusal, Lancelot's death "with the swettest savour aboute hym"; and Ector's threnody over his brother — "thou were the curtest knyght that ever bare shelde" — prose built like liturgy. Over the grave Malory sets the epitaph he attributes to "many men": HIC IACET ARTHURUS, REX QUONDAM REXQUE FUTURUS — the once and future king — while carefully refusing, in his own voice, to certify the return: "rather I wolde sey: here in thys worlde he chaunged hys lyff." Note the date of the whole: finished in prison, 1469–70, as the Round Table of Lancastrian England butchered itself at Towton and Barnet. The book is a war veteran's elegy for fellowship, and it knows exactly what it is mourning.

A passage, and what to notice

Draft — not yet reviewed

What saw thou there? said the king. Sir, he said, I saw nothing but the waters wap and waves wan. Ah, traitor untrue, said King Arthur, now hast thou betrayed me twice. Who would have weened that, thou that hast been to me so lief and dear? and thou art named a noble knight, and would betray me for the richness of the sword.

…and there came an arm and an hand above the water and met it, and caught it, and so shook it thrice and brandished, and then vanished away the hand with the sword in the water.

Le Morte Darthur · Book XXI, ch. 5 — the second return of Sir Bedivere · Caxton's text of 1485 (public domain) · read the rest (free text, Project Gutenberg)

The end of the Round Table turns on a good man failing twice at a simple instruction, for a decent reason: the sword is too beautiful to throw away. Malory has spent a book on treason and civil war, and stages the last betrayal as this — the king's most loyal survivor, over an object. Listen to the register too. "The waters wap and waves wan" is pure alliterative music, a lie told in poetry; and a few lines earlier the dying king's complaint is not grief but "I have taken cold." The greatest ending in English prose before the novel is built out of small, domestic, entirely human material.

The Texts

  1. Le Morte Darthur — the final tales (Caxton Books XVIII–XXI) · Sir Thomas Malory

    The Day of Destiny, and the two survivors who become a hermit and a nun. The greatest ending in English prose before the novel.

    Edition ed. P. J. C. Field (2013); ed. Stephen H. A. Shepherd (Norton); ed. Helen Cooper (Oxford, abridged). Caxton's text free online

The Scholarship

  1. A New Companion to Malory — the chapters on the ending · ed. Megan G. Leitch & Cory J. Rushton

    How the last two tales work, and why the fellowship's failure reads as tragedy rather than judgment.

  2. The Works of Sir Thomas Malory — the closing commentary · ed. Eugène Vinaver

    Vinaver on the ending — the place where his own thesis strains hardest.

The Practice

Lectio Read the Bedivere sequence beside the Mort Artu's Girflet (Unit 22) and the Stanzaic version (Unit 26). Three tellings of one scene: mark every choice Malory made against both his sources.

Scriptio Malory reports the epitaph but will not vouch for the return. Write your own two sentences to stand at the end of the matter — what may be said over this grave truthfully. Then compare with the site's own creative answer.

In the Anatomy

Doors from this unit

  • They Rode Out — The keystone on vow, mercy, return, and testimony — the Quest station reads Malory's ending as its evidence.

Movement V — The English Matter

  1. 25. Sir Gawain and the Green Knight
  2. 26. The Two English Mortes
  3. 27. Malory I: The Knight-Prisoner and the Hoole Book
  4. 28. Malory II: The Sankgreal and the Fellowship's Trial
  5. 29. Malory III: The Day of Destiny
  6. 30. Arthur Under the Tudors: The End of the Chronicle Claim

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