Buile Suibhne — The Source

Key scenes of the medieval Irish tale in J. G. O'Keeffe's 1913 translation — the bell, the curse, the frenzy, the trees, and the grave — with O'Keeffe's section numbers kept as anchors.

Insular-style illuminated initial titled Buile Suibhne, set between bare and leafing trees full of birds

This page is the source — not a retelling, not a commentary, but the medieval text in J. G. O'Keeffe's English translation of 1913, the standard edition and the door most readers still enter by. What follows is a set of key scenes, transcribed from the printed edition and kept exactly as O'Keeffe rendered them, from the first sound of the bell to the grave at Teach Moling. The whole tale runs to eighty-seven sections; more leaves will be set here as they are transcribed and proofed.

Section numbers (§) are O'Keeffe's, and each scene carries its number as an anchor, so the tale can be cited by section anywhere on this site (e.g. /ancestry/buile-suibhne#s40). The five movement headings are this site's reading of the tale's shape — the argument of The Shape of the Frenzy — not the edition's; O'Keeffe numbers sections only.

O'Keeffe §§ 3–4 · I · Anger

The Bell and the Psalter

The tale opens not with the battle but with a bell. Ronan Finn is marking out a church in Dal Araidhe; the sound reaches the king.

On one occasion he was marking out a church named Cell Luinne in Dal Araidhe. (At that time Suibhne, son of Colman, of whom we have spoken, was king of Dal Araidhe.) Now, in the place where he was, Suibhne heard the sound of Ronan's bell as he was marking out the church, and he asked his people what it was they heard. 'It is Ronan Finn, son of Bearach,' said they, 'who is marking out a church in your territory and land, and it is the sound of his bell you now hear.' Suibhne was greatly angered and enraged, and he set out with the utmost haste to drive the cleric from the church. His wife Eorann, daughter of Conn of Ciannacht, in order to hold him, seized the wing of the fringed, crimson cloak which was around him, so that the fibula of pure white silver, neatly inlaid with gold, which was on his cloak over his breast, sprang through the house. Therewith, leaving his cloak with the queen, he set out stark-naked in his swift career to expel the cleric from the church, until he reached the place where Ronan was.

He found the cleric at the time glorifying the King of heaven and earth by blithely chanting his psalms with his lined, right-beautiful psalter in front of him. Suibhne took up the psalter and cast it into the depths of the cold-water lake which was near him, so that it was drowned therein. Then he seized Ronan's hand and dragged him out through the church after him, nor did he let go the cleric's hand until he heard a cry of alarm. It was a serving-man of Congal Claon, son of Scannlan, who uttered that cry; he had come from Congal himself to Suibhne in order that he (Suibhne) might engage in battle at Magh Rath. When the serving-man reached the place of parley with Suibhne, he related the news to him from beginning to end. Suibhne then went with the serving-man and left the cleric sad and sorrowful over the loss of his psalter and the contempt and dishonour which had been inflicted on him.

O'Keeffe § 5 · II · Curse

The Otter and the First Curse

A day and a night pass. The prayed word survives the rage — and the sentence is pronounced in the same breath as the thanksgiving.

Thereafter, at the end of a day and a night, an otter that was in the lake came to Ronan with the psalter, and neither line nor letter of it was injured. Ronan gave thanks to God for that miracle, and then cursed Suibhne, saying: 'Be it my will, together with the will of the mighty Lord, that even as he came stark-naked to expel me, may it be thus that he will ever be, naked, wandering and flying throughout the world; may it be death from a spear-point that will carry him off. My curse once more on Suibhne, and my blessing on Eorann who strove to hold him; and furthermore, I bequeath to the race of Colman that destruction and extinction may be their lot the day they shall behold this psalter which was cast into the water by Suibhne'; and he uttered this lay:

Suibhne, son of Colman, has outraged me, he has dragged me with him by the hand, to leave Cell Luinne with him, that I should be for a time absent from it.

He came to me in his swift course on hearing my bell; he brought with him vast, awful wrath to drive me out, to banish me.

— The lay continues.

O'Keeffe §§ 9–10 · II · Curse

Mag Rath — the Second Curse

On the morning of the great battle, Ronan and his psalmists move among the hosts with holy water. Every blow that follows lands on prayer.

He marched on thus until he encountered Ronan with eight psalmists of his community sprinkling holy water on the hosts, and they sprinkled it on Suibhne as they did on the others. Thinking it was to mock him that the water was sprinkled on him, he placed his finger on the string of the riveted spear that was in his hand, and hurling it at one of Ronan's psalmists slew him with that single cast. He made another cast with the edged, sharp-angled dart at the cleric himself, so that it pierced the bell which was on his breast and the shaft sprang off it up in the air, whereupon the cleric said: 'I pray the mighty Lord that high as went the spear-shaft into the air and among the clouds of Heaven may you go likewise even as any bird, and may the death which you have inflicted on my foster-child be that which will carry you off, to wit, death from a spear-point; and my curse on you, and my blessing on Eorann; (I invoke) Uradhran and Telle on my behalf against your seed and the descendants of Colman Cuar'; and he said:

My curse on Suibhne! great is his guilt against me, his smooth, vigorous dart he thrust through my holy bell.

That bell which thou hast wounded will send thee among branches, so that thou shalt be one with the birds — the bell of saints before saints.

Even as in an instant went the spear-shaft on high, mayst thou go, O Suibhne, in madness, without respite!

— The lay continues.

O'Keeffe §§ 11–12 · III · Madness & Exile

The Frenzy Takes Him

The curse finds him in the din of the battle itself. The tale renders the breaking of a mind as weather, and the leaving of the field as flight.

Thereafter, when both battle-hosts had met, the vast army on both sides roared in the manner of a herd of stags so that they raised on high three mighty shouts. Now, when Suibhne heard these great cries together with their sounds and reverberations in the clouds of Heaven and in the vault of the firmament, he looked up, whereupon turbulence (?), and darkness, and fury, and giddiness, and frenzy, and flight, unsteadiness, restlessness, and unquiet filled him, likewise disgust with every place in which he used to be and desire for every place which he had not reached. His fingers were palsied, his feet trembled, his heart beat quick, his senses were overcome, his sight was distorted, his weapons fell naked from his hands, so that through Ronan's curse he went, like any bird of the air, in madness and imbecility.

Now, however, when he arrived out of the battle, it was seldom that his feet would touch the ground because of the swiftness of his course, and when he did touch it he would not shake the dew from the top of the grass for the lightness and the nimbleness of his step. He halted not from that headlong course until he left neither plain, nor field, nor bare mountain, nor bog, nor thicket, nor marsh, nor hill, nor hollow, nor dense-sheltering wood in Ireland that he did not travel that day, until he reached Ros Bearaigh, in Glenn Earcain, where he went into the yew-tree that was in the glen.

O'Keeffe § 17 · III · Madness & Exile

Glen Bolcáin, the Valley of the Mad

The wilderness the curse assigns him has an address. The glen of the madmen is described with the exactness of a man who slept in it.

Now when Suibhne heard the shout of the multitude and the tumult of the great army, he ascended from the tree towards the rain-clouds of the firmament, over the summits of every place and over the ridge-pole of every land. For a long time thereafter he was (faring) throughout Ireland, visiting and searching in hard, rocky clefts and in bushy branches of tall ivy-trees, in narrow cavities of stones, from estuary to estuary, from peak to peak, and from glen to glen, till he reached ever-delightful Glen Bolcain. It is there the madmen of Ireland used to go when their year in madness was complete, that glen being ever a place of great delight for madmen. For it is thus Glen Bolcain is: it has four gaps to the wind, likewise a wood very beautiful, very pleasant, and clean-banked wells and cool springs, and sandy, clear-water streams, and green-topped watercress and brooklime bent and long on their surface. Many likewise are its sorrels, its wood-sorrels, its lus-bian and its biorragan, its berries, and its wild garlic, its melle and its miodhbhun, its black sloes and its brown acorns. The madmen moreover used to smite each other for the pick of watercress of that glen and for the choice of its couches.

O'Keeffe §§ 31–32 · III · Madness & Exile

Eorann

The wife he left holding his cloak has been given to another. The exchange at the hut door is the tale’s measure of everything the frenzy costs.

Now, Eorann at the time was dwelling with Guaire, son of Congal, son of Scannlan, for it was Eorann who was Suibhne's wife. […] Then the madman sat down upon the lintel of the hut in which Eorann was, whereupon he said: 'Do you remember, lady, the great love we gave to each other what time we were together? Easy and pleasant it is for you now,' said he, 'but not so for me'; whereupon Suibhne said, and Eorann answered him (as follows):

Suibhne

At ease art thou, bright Eorann, at the bedside with thy lover; not so with me here, long have I been restless.

Once thou didst utter, O great Eorann, a saying pleasing and light, that thou wouldst not survive parted one day from Suibhne.

To-day, it is readily manifest, thou thinkest little of thy old friend; warm for thee on the down of a pleasant bed, cold for me abroad till morn.

Eorann

Welcome to thee, thou guileless mad one! thou art most welcome of the men of the earth; though at ease am I, my body is wasted since the day I heard of thy ruin.

Suibhne

More welcome to thee is the king's son who takes thee to feast without sorrow; he is thy chosen wooer; you seek not your old friend.

Eorann

Though the king's son were to lead me to blithe banqueting-halls, I had liefer sleep in a tree's narrow hollow beside thee, my husband, could I do so.

If my choice were given me of the men of Erin and Alba, I had liefer bide sinless with thee on water and on watercress.

— The exchange continues.

O'Keeffe § 40 · IV · Vision

The Praise of the Trees

From the long poem Suibhne speaks in his wandering: the trees of Ireland named one after another, each in its own character, by a man who owns nothing else.

Longing for my little home has come on my senses — the flocks in the plain, the deer on the mountain.

Thou oak, bushy, leafy, thou art high beyond trees; O hazlet, little branching one, O fragrance of hazel-nuts.

O alder, thou art not hostile, delightful is thy hue, thou art not rending and prickling in the gap wherein thou art.

O little blackthorn, little thorny one; O little black sloe-tree; O watercress, little green-topped one, from the brink of the ousel (?) spring.

O minen of the pathway, thou art sweet beyond herbs, O little green one, very green one, O herb on which grows the strawberry.

O apple-tree, little apple-tree, much art thou shaken; O quicken, little berried one, delightful is thy bloom.

O briar, little arched one, thou grantest no fair terms, thou ceasest not to tear me, till thou hast thy fill of blood.

O yew-tree, little yew-tree, in churchyards thou art conspicuous; O ivy, little ivy, thou art familiar in the dusky wood.

O holly, little sheltering one, thou door against the wind; O ash-tree, thou baleful one, hand-weapon of a warrior.

O birch, smooth and blessed, thou melodious, proud one, delightful each entwining branch in the top of thy crown.

The aspen a-trembling; by turns I hear its leaves a-racing — meseems 'tis the foray!

— From the long poem of § 40, which runs on through Suibhne’s flights across Ireland.

O'Keeffe §§ 46–50 · III · Madness & Exile

The Man of the Wood

In the land of the Britons, Suibhne finds another of his kind — the madman scholarship identifies with the Lailoken–Myrddin figure of the North. The two geilte keep watch over each other for a year.

Suibhne then left Carraig Alastair and went over the wide-mouthed, storm-swept sea until he reached the land of the Britons. He left the fortress of the king of the Britons on his right hand and came on a great wood. As he passed along the wood he heard lamenting and wailing, a great moan of anguish and feeble sighing. It was another madman who was wandering through the wood. Suibhne went up to him. 'Who are you, my man?' said Suibhne. 'I am a madman,' said he. 'If you are a madman,' said Suibhne, 'come hither so that we may be friends, for I too am a madman.' 'I would,' said the other, 'were it not for fear of the king's house or household seizing me, and I do not know that you are not one of them.' 'I am not indeed,' said Suibhne, 'and since I am not, tell me your family name.' 'Fer Caille (Man of the Wood) is my name,' said the madman.

— They exchange staves, and each gives an account of himself: the Briton — Ealladhan — was sent wandering by the shouts of malediction of two contending hosts; Suibhne names the words of Ronan (§§ 47–49).

'O Suibhne,' said Ealladhan, 'let each of us keep good watch over the other since we have placed trust in each other; that is, he who shall soonest hear the cry of a heron from a blue-watered, green-watered lough or the clear note of a cormorant, or the flight of a woodcock from a branch, the whistle or sound of a plover on being woke from its sleep, or the sound of withered branches being broken, or shall see the shadow of a bird above the wood, let him who shall first hear warn and tell the other; let there be the distance of two trees between us; and if one of us should hear any of the before-mentioned things or anything resembling them, let us fly quickly away thereafter.'

They do so, and they were a whole year together. At the end of the year Ealladhan said to Suibhne: 'It is time that we part to-day, for the end of my life has come, and I must go to the place where it has been destined for me to die.' 'What death shall you die?' said Suibhne. 'Not difficult to say,' said Ealladhan; 'I go now to Eas Dubhthaigh, and a blast of wind will get under me and cast me into the waterfall so that I shall be drowned, and I shall be buried afterwards in a churchyard of a saint, and I shall obtain Heaven; and that is the end of my life. And, O Suibhne,' said Ealladhan, 'tell me what your own fate will be.' Suibhne then told him as the story relates below. At that they parted and the Briton set out for Eas Dubhthaigh, and when he reached the waterfall he was drowned in it.

O'Keeffe §§ 74–75 · V · Mercy

Terce Has Come in Rome

The flight runs out at Teach Moling. The saint is reading; the madman eats watercress at the brink of the well; and their first exchange is about the hours of prayer.

At length Suibhne came along to the place where Moling was, even Teach Moling. The psalter of Kevin was at the time in front of Moling as he was reading it to the students. In the cleric's presence Suibhne then came to the brink of the fountain and began to eat watercress. 'O mad one, that is eating early,' said the cleric; whereupon Moling spoke and Suibhne answered him:

Moling

An early hour is it, thou madman, for due celebration.

Suibhne

Though to thee, cleric, it may seem early, terce has come in Rome.

Moling

How dost thou know, mad one, when terce comes in Rome?

Suibhne

Knowledge comes to me from my Lord each morn and each eve.

Moling

Relate through the mystery of speech tidings of the fair Lord.

Suibhne

With thee is the (gift of) prophecy if thou art Moling.

Moling

Why dost thou not settle in one place, thou son of Colman Cuar?

Suibhne

I had rather be in one seat in life everlasting.

— The dialogue continues.

O'Keeffe §§ 76–77 · V · Mercy

The Binding and the Milk

Moling does not cage the wild man or cure him. He binds him with a promise only — and orders him fed. The evening office and the heel-print of milk.

'Welcome in sooth is your coming here, Suibhne,' said Moling, 'for it is destined for you to be here and to end your life here; to leave here your history and adventures, and to be buried in a churchyard of righteous folk; and I bind you,' said Moling, 'that however much of Ireland you may travel each day, you will come to me each evening so that I may write your history.'

Thereafter during that year the madman was visiting Moling. One day he would go to Innis Bo Finne in west Connacht, another day to delightful Eas Ruaidh, another day to smooth, beautiful Sliabh Mis, another day to ever-chilly Benn Boirche, but go where he would each day, he would attend at vespers each night at Teach Moling. Moling ordered a collation for him for that hour, for he told his cook to give him some of each day's milking. Muirghil was her name; she was wife of Mongan, swineherd to Moling. This was the extent of the meal the woman used to give him: she used to thrust her heel up to her ankle in the cowdung nearest her and leave the full of it of new milk there for Suibhne. He used to come cautiously and carefully into the vacant portion of the milking yard to drink the milk.

O'Keeffe §§ 78–83 · V · Mercy

The Spear-Point and the Sacrament

A slander, a jealous herd, and the curse keeping its word — and then confession, communion, and anointing at the end of a madman’s life.

One night a dispute arose between Muirgil and another woman in the milking enclosure, whereupon the latter said: 'The worse is it for you,' said she, 'that another man is not more welcome to you, and yet that you do not prefer your own husband to come to you than the madman who is visiting you for the past year.' The herd's sister hearkened to that; nevertheless she mentioned nothing about it until she saw Muirgil on the morrow morning going to leave the milk for Suibhne in the cowdung near the hedge at which he was. The herd's sister seeing that, came in and said to her brother: 'You cowardly creature, your wife is in yonder hedge with another man,' said she. The herd hearing that became jealous, and he rose suddenly and angrily and seized a spear that was within on a rack and made for the madman. The madman's side was towards him as he was lying down eating his meal out of the cowdung. The herd made a thrust of the spear out of his hand at Suibhne and wounded him in the nipple of his left breast, so that the point went through him, breaking his back in two.

— Enna Mac Bracain, sounding the bell for prime at the door of the churchyard, sees the deed and laments it (§§ 79–80).

Enna turned back and told Moling that Suibhne had been slain by his swineherd Mongan. Moling at once set out accompanied by his clerics to the place where Suibhne was, and Suibhne acknowledged his faults and (made) his confession to Moling and he partook of Christ's body and thanked God for having received it, and he was anointed afterwards by the clerics.

— Suibhne, Mongan and Moling speak a lay together (§§ 82–83); Moling promises the dying man an eric — ‘even that you be in Heaven as long as I shall be.’ Suibhne’s part ends:

Suibhne

To Thee, O Christ, I give thanks for partaking of Thy Body; sincere repentance in this world for each evil I have ever done.

O'Keeffe §§ 84–87 · V · Mercy

The Grave of Suibhne

The saint’s lament over the dying man, and the end: a hand held, a church door, and rest in holy ground — the one thing the curse had withheld.

A death-swoon came on Suibhne then, and Moling, attended by his clerics, rose, and each man placed a stone on Suibhne's tomb. 'Dear in sooth is he whose tomb this is,' said Moling; 'often were we two — happy time! — conversing one with the other along this pathway. Delightful to me was it to behold Suibhne — he whose tomb this is — at yonder well. The Madman's Well is its name, for often would he eat of its watercress and drink its water, and (so) the well is named after him. Dear, too, every other place that Suibhne used to frequent'; whereupon Moling said:

Moling

The tomb of Suibhne here! remembrance of him has wrung my heart! dear to me too, out of love for him, each place in which the holy madman used to be.

Dear to me is fair Glen Bolcain because of perfect Suibhne's love of it; dear each stream that flows out of it, dear its green-topped watercress.

Yonder is the Well of the Madman, dear was he to whom it gave food, dear to me its clear sand, dear its pure water.

On me was imposed his preparation, it seemed long until I should see him, he asked that he be taken to my house, dear was the lying in wait.

Dear each cool stream wherein the green-topped watercress grew, each well of bright water too, because Suibhne used to visit it.

If it be the will of the King of the stars, arise and come with me, give me, O heart, thy hand from the grave and from the tomb!

Melodious to me was the converse of Suibhne, long shall I keep his memory in my breast: I entreat my noble King of Heaven above his grave and on his tomb!

Thereafter, Suibhne rose out of his swoon and Moling taking him by the hand the two proceeded to the door of the church. When Suibhne placed his shoulders against the door-post he breathed a loud sigh and his spirit fled to Heaven, and he was buried honourably by Moling.

So far, some of the tales and adventures of Suibhne son of Colman Cuar, king of Dal Araidhe. Finis.

These scenes are a beginning, not the whole. Between them lie the leaps and the snows, the mill-hag, Loingseachan's lures, the year in Glen Bolcáin, and poem after poem this page does not yet carry — more leaves will be set down here as they are transcribed and proofed. For the complete text now, the 1913 edition is free to read below, and CELT's digitization is the scholarly reference.

The 1913 edition

J. G. O'Keeffe's Irish Texts Society volume — Irish and English on facing pages — embedded from the Internet Archive.

References

The edition this page is set from, and the terms on which it stands here.

  1. J. G. O’Keeffe, ed. and trans., Buile Suibhne (The Frenzy of Suibhne). Being the Adventures of Suibhne Geilt. A Middle-Irish Romance, Irish Texts Society vol. XII (London, 1913) — the text above is O’Keeffe’s English translation, transcribed from the printed edition, which is in the public domain. Transcribed for this site from the 1913 printing; wording, punctuation, and O’Keeffe’s query-marks “(?)” are kept as printed. Abridgements are marked in the text.
  2. CELT: Corpus of Electronic Texts, University College Cork — the scholarly digitization of O’Keeffe’s translation (T302018) and of the Irish text (G302018). CELT’s edition is distributed under a restricted licence (academic research and teaching) and was consulted here only to verify doubtful readings of the scan. For scholarly use, cite CELT.
  3. The five movement headings — Anger, Curse, Madness & Exile, Vision, Mercy — are this site’s reading of the tale’s shape, not the edition’s. The full argument is the keystone essay The Shape of the Frenzy; O’Keeffe’s edition numbers sections only.